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Iselin, the scheming wife of a Joe Mc Carthy-type Senator, and her son Raymond (Laurence Harvey), a Cold War cold-fish misfit who quite systematically kills eight people and, in the twisted logic of this acerbic thriller, is kind of the hero.
He and his mother, both dripping sarcasm like formic acid, are two exceptional, odious creatures whom genetics and geopolitics have consigned to a death match.
“She was complicated and brilliant,” Field told TIME, “and she would not be looked at fondly.” Really, though, what viewer doesn’t look fondly at Sally Field?
, 1962 Frank Sinatra and Janet Leigh were among two of the three top-billed stars, but the central, unforgettable tension is between Mrs.
”) She treats the girl, played by Mara Hobel as a child and Diana Scarwid as an adult, like a scullery maid; she demeans her, beats her, nearly chokes her to death.
No less hurtful is Joan’s trick of seeming the victim—“You love to make me hit you!
Tom (Henry Fonda) is the firebrand of the family, Ma the hearth.
Darwell, who earned a Supporting Actress Oscar for her performance, had the last inspiring words for the American underclass: “They can’t wipe us out; they can’t lick us.
The parents share an intimate closeup, nearly three minutes long, whose focus gradually shifts from Nolte describing the disease to Sarandon’s dawning dread as she realizes the consequences.Her drive and brains build that menial job into ownership of a restaurant chain and the fancy home, clothes and status that Veda thinks is her birthright.Yet she despises her mother for earning money the old-fashioned way: by earning it.We’ll go on forever, Pa, ’cause we’re the people.” As men go to war and kill, so women give life.Their bodies are the arsenals of future generations.
Then she gives her son a big slimy smooch on the lips; mother love never seemed so despotic or desperate.